Sole and the Skyrider Band

New project from Sole and Skyrider dropping Oct 23rd on Anticon Records. Check here to preview of couple of tracks from the album.

“…Though Sole had spent most of his career working with celebrated producers—primarily Alias, Odd Nosdam (of cLOUDDEAD), and JEL (of subtle)—by 2005 he had for some time been looking for a working relationship with a more exclusively focused yet also uniquely talented group of musicians. His solo instrumental work, released in 2005 on Morr Music and in 2007 on anticon as mansbestfriend, and his yearlong collaboration with half of Barcelona’s Tortoise-like improvational outfit Twelve were aspects of this search. On tour with Dosh, Pedestrian, and Telephone Jim Jesus in 2005, fate landed the caravan at the tropical home of Bud Berning, an electronic musician and dub drummer then recording solo work as Skyrider. Intrigued by Skyrider’s sound, Sole later returned to Orlando on a short tour of the Southeast and collaborated with Berning and two musicians who had recently joined the Skyrider fold. Not naturally attracted to music born of machines, Bud had only begun tinkering with computers while immobilized after a coma resulting from a traumatic collision in Mexico City in 2002. The two instrumentalists Berning recruited, Tennessee native John Wagner and omni-instrumentalist William Ryan Fritch, not only fleshed out Berning’s sample-based ideas, but also added their own distinct musical voices. As Sole and Skyrider played, sparks struck, and Sole had the quickness of mind to immediately invite Skyrider to move to Flagstaff, Arizona and record an album.

Against all odds, the band accepted the offer and before long found themselves sharing a house in Flagstaff. Nearly the moment they arrived, Skyrider began playing and recording intensely at Sole’s studio, set at an eight thousand foot elevation at the foot of a mountain amid a garden of collard greens, melons, and green beans. Sole promptly scrapped the ten or so songs he’d already recorded towards an album—with a formidable line-up of producers, no less—and devoted himself fully to realizing the distinct sound he’d long heard only in his own head and further sharpening his art of battle rapping the biggest of enemies: empire, ennui, the industries of distraction, and, not least of all, himself. ”